Castle Park Arts 40th Annual Open Exhibition
All Artwork
330 artworks
Complimentary Circles by john gallon
Complimentary Circles by john gallon
301 / 330
By john gallon
Acrylic on canvas
h: 69 w: 90 d: 5 (cms).
Abstract Art on box canvas
£250
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Trinity by sue barker
Trinity by sue barker
302 / 330
By sue barker
Enamel
h: 26 w: 24 d: 1 (cms).
A dogs first day at the beach, after splashing in the waves and running in the sand, I've tried to capture her innocent look and the dusting of sand on her nose.
£265
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Conwy-Bay-Watch by sue barker
Conwy-Bay-Watch by sue barker
303 / 330
By sue barker
Pastel on Pastelmat
h: 40 w: 48 d: 1 (cms).
I've tried to capture the dogs movement, the light, the water and the sand on this beautiful beach on a rare sunny winter's day.
£265
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At Journey’s End by kate sillitoe
At Journey’s End by kate sillitoe
304 / 330
By kate sillitoe
Watercolour
h: 30 w: 21 d: 3 (cms).
Heswall Boatyard painted 02/08/25
£135.00
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Jenny Wren by kate sillitoe
Jenny Wren by kate sillitoe
305 / 330
By kate sillitoe
Watercolour
h: 30 w: 21 d: 1 (cms).
Painted 02/08/25
£120.00
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LABYRINTHINE by patricia greaves MA, MEd
LABYRINTHINE by patricia greaves MA, MEd
306 / 330
By patricia greaves MA, MEd
monoprint
h: 29 w: 20 d: 1 (cms).
Printmaking can lend its self to exploring surfaces and layers and this image is based partly on reality, and partly imagined. The location is a repurposed railway station in Germany. The history of the building is a troubled one with its new purpose being an art gallery. Much of the artwork within the galleries is complex and compels the viewer to think about society; but the new growth or development signified in part by my choice of an abundant plant in the foreground layer, is one that that could indicate hope if we could navigate our way through and appreciate difference.
£130
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WARMTH AND MYSTERY by elena mclaren
WARMTH AND MYSTERY by elena mclaren
307 / 330
By elena mclaren
BATIK , MIX MEDIA
h: 55 w: 55 d: 3 (cms).
£250
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I miss you most of all, when autumn leaves start to fall by tricia potter
I miss you most of all, when autumn leaves start to fall by tricia potter
308 / 330
By tricia potter
Oil and glass paint on layers of glass
h: 43 w: 35 d: 5 (cms).
This is a 3D piece painted in oil on layers of separated glass. It’s quite hard to photograph and the layers don’t really show up as 3D. It’s based on the words from the Eva Cassidy song version “Autumn Leaves”.
£150
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REGENESIS by patricia greaves MA, MEd
REGENESIS by patricia greaves MA, MEd
309 / 330
By patricia greaves MA, MEd
MONOPRINTING
h: 26 w: 17 d: 1 (cms).
Printmaking can lend its self to exploring surfaces and layers and subsequently adding meaning. The building in the composition was originally a villa in a northern seaside town. Overtime it fell into disarray, but it is now a clinic with a gardening team tending new shrubs, but also encouraging biodiversity and allowing a whole variety of plants to take root and develop. It is the plants that captured my attention, and they will alter with each season : in a regeneration.
£130
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Hidden Away by susan hancell
Hidden Away by susan hancell
310 / 330
By susan hancell
Collage and Mixed Medium
h: 49 w: 39 d: 1 (cms).
The collage was created using Gelli-printed tissue paper. The image was created by the minds eye of the artist after a visit to Northumberland.
£180
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Intertidal: Storm incoming by judith samuel
Intertidal: Storm incoming by judith samuel
311 / 330
By judith samuel
Oil on canvas
h: 10 w: 40 d: 4 (cms).
I love the view across to Anglesey from Llanfairfechan. This day I caught the storm as it came in, very dramatic.
£80
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A matter of by rhona hobson
A matter of by rhona hobson
312 / 330
By rhona hobson
Oil on board
h: 95 w: 60 d: 4 (cms).
Still life representation of life in its forms with a movable element that disrupts perception. Things are never as they really seem
£995
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“Dream of Tenderness” by elena mclaren
“Dream of Tenderness” by elena mclaren
313 / 330
By elena mclaren
BATIK , GOLD LEAVES , MIX MEDIA
h: 35 w: 35 d: 3 (cms).
£145
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Library by jessie roberts
Library by jessie roberts
314 / 330
By jessie roberts
Oil
h: 30 w: 30 d: 1 (cms).
£75
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Twisted twilight by rhona hobson
Twisted twilight by rhona hobson
315 / 330
By rhona hobson
Oil on canvas board
h: 25 w: 25 d: 3 (cms).
The places we live change over a day, a month, a year. Our living spaces and places are regularly disrupted. This painting has a spinning element
£350
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The Reading Tree by jessie roberts
The Reading Tree by jessie roberts
316 / 330
By jessie roberts
Acrylic
h: 40 w: 40 d: 1 (cms).
£150
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Eaten. by jessie roberts
Eaten. by jessie roberts
317 / 330
By jessie roberts
Oil
h: 24 w: 30 d: 1 (cms).
£125
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Bay Horse by janet cavanagh
Bay Horse by janet cavanagh
318 / 330
By janet cavanagh
Oil on canvas
h: 62 w: 92 d: 2 (cms).
£700
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Ponies on The Long Mynd by lynsey tyson
Ponies on The Long Mynd by lynsey tyson
319 / 330
By lynsey tyson
Oil painting
h: 40 w: 50 d: 1 (cms).
This painting of Carneddau ponies on the Long Myndd in Shropshire is from my own reference photos, taken in Spring this year. I absolutely had to paint this image and capture its tranquility and beautiful lighting.
£250
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Pyramids of Eternal Light by hector hamilton
Pyramids of Eternal Light by hector hamilton
320 / 330
By hector hamilton
Copper Mezzotint and Colour
h: 18 w: 20 d: 1 (cms).
This is a science fiction inspired work depicting pyramids on the polar region of a moon of a distant world.
£420
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Tree - Alone by evangelia hamilton phD MRTPI
Tree - Alone by evangelia hamilton phD MRTPI
321 / 330
By evangelia hamilton phD MRTPI
Zinc Drypoint, Roulette, and Engraving
h: 25 w: 18 d: 1 (cms).
A drypoint of a tree, alone, in a London Park.
£500
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Two to tango by stephanie driver
Two to tango by stephanie driver
322 / 330
By stephanie driver
Ceramics
h: 18 w: 15 d: 12 (cms).
Hand built figure
£295
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Parkgate by phill taffs
Parkgate by phill taffs
323 / 330
By phill taffs
Ink drawing & watercolour
h: 29 w: 42 d: 1 (cms).
£99.99
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Estuary by JENNY MARSHALL BEd, MA
Estuary by JENNY MARSHALL BEd, MA
324 / 330
By JENNY MARSHALL BEd, MA
Acrylic paint, Acrylic Ink, soft pastel, graphite, woodg
h: 18 w: 18 d: 4 (cms).
A montage of different woods and blues forms an estuary scene, centred on a bold orange form that draws the eye across the composition. Layered textures and varied grains give depth and movement, capturing the interplay of water, light, and land.The work is made from a range of vintage and found timbers — oak with its pronounced, warm grain; teak, dense and rich in tone; birch, smooth and reflective; and weathered pine, marked with knots and texture. Each piece brings its own character and history, uniting the natural qualities of the wood with the subtle drama of the scene
£45
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Jaguar by linda williams
Jaguar by linda williams
325 / 330
By linda williams
Polychromos Pencil
h: 42 w: 35 d: 2 (cms).
£195
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Lionesses by linda williams
Lionesses by linda williams
326 / 330
By linda williams
Polychromos Pencil
h: 44 w: 35 d: 2 (cms).
£175
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White Horse by linda williams
White Horse by linda williams
327 / 330
By linda williams
Polychromos Pencil
h: 36 w: 31 d: 2 (cms).
£175
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Lottie by mary lavigne
Lottie by mary lavigne
328 / 330
By mary lavigne
Coloured Pencils
h: 30 w: 42 d: 2 (cms).
£1000
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Baby Sloth by mary lavigne
Baby Sloth by mary lavigne
329 / 330
By mary lavigne
Coloured Pencils
h: 42 w: 30 d: 2 (cms).
£1000
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Welcome by mary lavigne
Welcome by mary lavigne
330 / 330
By mary lavigne
Graphite
h: 42 w: 30 d: 2 (cms).
£200
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